When a U.S. Marine returns home from Afghanistan, he finds that the place he once called home is no better than the battlefields he fought on overseas. Accompanied by his best friend, he searches desperately for the whereabouts of his estranged son and wife. In their search, the two intercept a man carrying vital information about his family.

1998, Nalchik. A Jewish family is in trouble: the youngest son and his bride do not come home, and in the morning, a ransom note arrives. The ransom is so high that the family is forced not only to sell its small business, but also to seek help from its fellow tribesmen.

In 1983 an English journalist travels to Italy to investigate the mysterious disappearance of a young vatican girl.

The lives of a macho butcher, his wife, a lonely waitress, a sadist and a flophouse manager intersect in Recife, Brazil.

Three separate narratives each following a love story between a foreigner and a Greek. Each story represents a different generation falling in love during a time of socioeconomic turmoil that dominates Southern Europe as a whole, only to connect as a single story in the end.

Two young brothers become the leaders of a gang of kids in their neighborhood. Ozu's charming film is a social satire that draws from the antics of childhood as well as the tragedy of maturity.

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

The routines and strifes of a disenchanted social media influencer are reimagined with an 18th century backdrop.

Justine, struggles with commitment, listens to old David Bowie covers, and uses her employer’s private MRI machines to make “X-Ray Art” After a trail of boyfriends, Justine thinks she has found The One, a hunky shoe salesman, but her temporary happiness is thrown when her neurotic 60-year-old Jewish father (Michel Blanc) suffers a delayed midlife crisis and announces that his young second wife is expecting a baby. Justine and her half-sister Dom, who is trying to adopt, are rather annoyed at the news. Coupled with resentment about her father’s absence when she was growing up, causes her to spiral into self-doubt. Overflowing with French charm, Justine gets by with the help of her family, friends, and newly discovered muse.

The lives of urbanites intertwine in a world where anything can happen at any time.

Aspiring teenage astronauts reveal that a journey to Mars is closer than you think.

In a small seaside town, two schoolgirls are assaulted by a middle-aged man in a motel. Mia, a teenager who was working on reception that night, is the only witness. For fear of losing her job, she says nothing. Meanwhile, 12-year-old Wen, one of the victims, finds that her troubles have only just begun. Trapped in a world that offers them no safety, Mia and Wen will have to find their own way out.

A woman and her 14-year-old daughter, who is a sleepwalker, in the midst of awakening. A marriage on the edges of a silenced crisis. A ritualistic, matriarchal, and endogamous family. Grandmother, siblings, cousins. A new summer, sweat, alcohol, traditions. Naked bodies, changing bodies, and the gazes upon those emerging bodies. A new New Year's celebration in the old historic family mansion is the trap for the sleepwalkers to finally awaken.

Set in 1949 on a remote farm near a nuclear testing site, Dina is living a quiet, unremarkable life with her father until two suitors enter her life.

In 1998, filmmaker Barbara Hammer had a one-month artist residency in the C Scape Duneshack which is run by the Provincetown Community Compact in Cape Cod, Massachusetts. The shack had no running water or electricity. While there, she shot 16mm film with her Beaulieu camera, recorded sounds with her cassette recorder and kept a journal. In 2018, Barbara began her own process of dying by revisiting her personal archive. She gave all of her Duneshack images, sounds and writing to filmmaker Lynne Sachs and invited her to make a film with the material.

Athens, mid-August. Tsiou, addicted to substances, while trying to get his dose, mixes a number of people to his search through his sister and her mobster husband. A chain of meetings follows where the pressure passes from one to another.

There is one vibratory field that connects all things. It has been called Akasha, Logos, the primordial OM, the music of the spheres, the Higgs field, dark energy, and a thousand other names throughout history. The vibratory field is at the root of all true spiritual experience and scientific investigation. It is the same field of energy that saints, Buddhas, yogis, mystics, priests, shamans and seers, have observed by looking within themselves. Many of history's monumental thinkers, such a Pythagoras, Kepler, Leonardo DaVinci, Tesla, and Einstein, have come to the threshold of this great mystery. It is the common link between all religions, all sciences, and the link between our inner worlds and our outer worlds.

A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.

Summer, New York City. A college girl falls hard for a guy she just met. After a night of partying goes wrong, she goes to wild extremes to get him back.

Young mattress salesman Brian decides to adopt a baby from China but is distracted when he forms a relationship with quirky, wealthy Harriet whom he meets at his mattress store. As their relationship flourishes, unbeknownst to them, a hitman is trying to kill Brian.