Through economic necessity, an Aran Islander is forced to travel to England to work on building sites so that he can earn money to support his family back on the Islands.

A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.

An American couple bring their 10 year old daughter, Claire, to her grandfather Lawrence's hotel in The Dolomites, Italy. They usually come for Christmas but this year it’s August. The fact is they are breaking up, and once Claire realizes there’s not going to be a family Christmas this year, she insists on everyone making it out for Christmas in August. Claire, in collusion with her grandfather, plan activities that are designed to re-unite her parents.

Karna from a small town has joined this engineering college and he gangs up with his hostel mates Loki, Alexander, Manja and others to fuel a lot of mischief in the college.

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

Prisoners of Detention Satellite 3 plan an impossible escape.

A man is imprisoned for a crime he didn't commit. When his wife is murdered and his son kidnapped and taken to Mexico, he devises an elaborate and dangerous plan to rescue his son and avenge the murder.

Three people, each having different aspirations from life, are caught in a tangle of emotions and don’t know the way out. There’s a husband and wife with love eroding from their life. And there’s a single, happy-go-lucky dude who falls in love with the wife.

Maggie and her sister form an unusual bond during an encounter with a young man.

Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.

Before we can join society as productive and acceptable human beings, we are forced to endure a difficult and trying experience - high school. In a world run by youth, primal attributes dictate who is 'King of the Classroom'. When Marty, a troubled but talented teenager, moves into the locker beside his school's 'Classroom King', a charismatic but grossly sadistic cocaine dealer, his position on the high school food chain sinks to an unsurpassed low. Marty is forced to make the decision of his life: put up with the savage humiliation, or respond with the same primal attitude he is attacked with. His choices slowly but surely reveal who is Class Savage.

Made by re-editing a deteriorated nitrate print of The Bells (1926), starring Lionel Barrymore and Boris Karloff, this work shows the fragility of the film image while foreshadowing the Holocaust.

Kim Marsden inherits a cattle station near Alice Springs after the death of her father. Kim becomes convinced her father was murdered. She sends for a legendary local bushman called the Sundowner, who was one of her father's best friends.

Meet innocent Jim, terrified of girls, and on a reluctant quest to prove his manhood the night before he turns 30. He and his cocky friend Alex think they’ve hit the jackpot when they meet the beautiful siblings Kitty and Lulu, who seem up for anything on a wild party-fuelled night. But little do they know that the femmes fatales want to make Jim lose much more than just his virginity… Getting laid has never been so bloody difficult.

A first-person documentary on an expedition to one of the last regions of the world still unexplored by man.

The way home for Aleksandr Rekhviashvili is not charted in the conventional sense. It takes the viewer along some peculiar roads and across a unique landscape: Georgian history and legend, politics and social stratification, religion and ethics. Allusive, stylized and allegorical from beginning to end, his long-banned The Way Home is in part a tribute to Rekhviashvili’s favorite director, Pasolini, especially to The Hawks and the Sparrows (1966). Together with the short film Nutsa (1971) and the widely acclaimed Georgian Chronicle of the 19th Century (1979; SFIFF 1983), The Way Home closes a triptych of films that represent Rekhviashvili’s poetic contemplation of Georgia’s past. It makes extensive use of poems by Bella Akhmadulina (the major female poet of the cultural ‘thaw’ of the ’50s and ’60s and a Georgian by descent), and of sets by Amir Kakabadze. Like other films in the trilogy, The Way Home is stunningly photographed in black-and-white.--Oxymoron

Set in The City where Jonathan Kersky as a Stuntman at Theme park, had a motorcycle accident. After several times changed jobs, finally he got a job which makes saving someone's life and at the same time bring him into trouble with The Secret group.