Shuhei Hirayama is a widower with a 24-year-old daughter. Gradually, he comes to realize that she should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

A commuter suddenly realizes he's mistakenly boarded the express train and desperately tries to get off between stations.

In 1899, a photographer at American Mutoscope & Biograph mounted his camera on the front of a trolley traveling over the Brooklyn Bridge. The three 90-foot rolls he created were edited together to complete the journey from Manhattan to Brooklyn, entitled Across the Brooklyn Bridge. As a commission by the Museum of Modern Art for the re-opening of their facility, American avant-garde filmmaker Bill Morrison took this remarkable footage and recombined it with itself to form a new split-screen extrapolation.

Asako in Ruby Shoes succeeds in providing yet another challenge to views of a homogeneous South Korea by presenting to us the Asian side of modern globalization. The film jumps back and forth from Korea and Japan, with each main character feeling out of place in their respective homes.

An absent-minded wolf sets out to catch Bugs for dinner but keeps forgetting what he was heading out to shoot in the first place.

The Morning After is a feature film that consists of 8 vignettes that are inter-cut throughout the film. The 8 vignettes are about when you wake up next to someone the next morning...

Mixed with fiction and documentary, the film relives the interviews conducted by the writer Clarice Lispector published in the magazines "Manchete" and "Fatos and Fotos" in the 1970s.

In a café in Paris, two friends—one single, the other in an “open” relationship—catch up on their lives and loves. In this animated short where the real story plays out in what’s not said, French cartoonist Aude Picault (Moi je) delivers a delightful ode to the sometimes-complex amorous relationships of modern times. She also takes an affectionate but penetrating look at friendship between women—and the jealousy, envy or judgment that can lurk behind the prettiest speeches.

ჩვეულებრივ იაპონურ ოჯახში მშობლები წუხან თავიანთი საყვარელი ქალიშვილის ბედზე, რადგან ნორიკო ქორწინებისთვის კრიტიკულ ასაკშია და ჰორიზონტზე მოსარჩელეები არ არიან. ახლობლების შეხსენებები არ მუშაობს. ახალგაზრდა ქალბატონს აქვს საკუთარი შეხედულებები, ის არ ჩქარობს არჩევანის გაკეთებას. სიტუაციას ამძიმებს ბიძის ჩამოსვლა, რომელიც ესაუბრება თავის დისშვილს და იწყებს მისი დარწმუნებას, რომ სწრაფად გადადგას ეს ნაბიჯი. ის ამტკიცებს, რომ თუ გოგონა არ არის გათხოვილი, ის შეურაცხყოფს ოჯახს. ცოტა ხნის შემდეგ ნორიკო თავის უჩვეულო არჩევანს მშობლებს უცხადებს.

In this sequel to Scenes from a Marriage (1973), we revisit the characters of Johan and Marianne, then a married couple. After their divorce, Johan and Marianne haven't seen each other for 32 years. Marianne is still working, as a divorce lawyer. Johan is quite well off and has retired to a house in the Orsa finnmark district of Sweden. On a whim, Marianne decides to visit him. Johan's son from a previous marriage, Henrik, lives nearby in a cottage with his daughter Karin, a gifted cello player. The relationship between father and son is strained.

A silk factory worker is persuaded to support her son's education up to a college level despite their poverty. Many years later, she travels to Tokyo to visit her son.

Mike Birbiglia declares that a joke should never end with "I’m joking." In his all-new comedy, Birbiglia tiptoes hilariously through the minefield that is modern-day joke-telling. Join Mike as he learns that the same jokes that elicit laughter have the power to produce tears, rage, and a whole lot of getting yelled at. Ultimately it's a show that asks, “How far should we go for the laugh?”

1895 წელს, ტოკიოს მახლობლად მდებარე სოფელში, ქალმა და მისმა საყვარელმა მოკლა რიქშა ქმარი და ცხედარი ძველ ჭაში ჩააგდეს. სამი წლის განმავლობაში ისინი ფარულად ხვდებოდნენ და გარდაცვლილის აჩრდილი ეჩვენებოდა მას და სოფლის სხვა მოსახლეობას.

ესაა 1992 წლის ჩინური კომედია-დრამა ფილმი. იგი გვიყვება პროტესტანტ ქალზე ქიუ ჯუზე, რომელც ჩინეთის სოფელში ცხოვრობს. როდესაც მის ქმარს სცემენ იგი მიუხედავად ფეხმძიმობისა ახლომდებარე ქალაქში, მოგვინაებით კი დიდ ქალაქში მიდის სამართლის საძებნელად.

Wataru Hirayama's outwardly liberal views on marriage are severely tested when his daughter declares that she is in love with a musician and is adamant to live life her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.

A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.

Two sisters find out the existence of their long-lost mother, but the younger cannot accept the fact that she was abandoned as a child.

When a theater troupe's master visits his old flame, he unintentionally sets off a chain of unexpected events with devastating consequences. A remake of Ozu's own silent film The Story of Floating Weeds (1934).

On a northern Italian farm, Batistì and his wife decide to send their son Minec to school, sacrificing his help in the fields but hoping to break the cycle of poverty in the family. But when Minec’s shoe breaks while walking for miles, Batisti puts the family’s future at risk to replace the clog.

A woman is being stalked by a stranger. His stalking turns to blackmail when he sends her copies of photos of her in an embarrassing position. Now he controls her and she has to do anything he says. Anything.