For the last quarter century, Houston native Arden Eversmeyer journeyed across the country to record hundreds of oral "herstories" with a mostly invisible population that is rapidly disappearing. Old Lesbians honors Arden's legacy by animating the resilient, joyful voices she preserved in the Old Lesbian Oral Herstory Project, from first crush to first love, from the closet to coming out, and finally from loss to connection.

Payton becomes the caretaker of Gregory Devereaux, a wealthy man facing his final months. As they become close, Gregory's past sins force Payton to decide between his dreams and a pregnancy that could squander them all.

Frodo Baggins and the other members of the Fellowship continue on their sacred quest to destroy the One Ring--but on separate paths. Their destinies lie at two towers--Orthanc Tower in Isengard, where the corrupt wizard Saruman awaits, and Sauron's fortress at Barad-dur, deep within the dark lands of Mordor. Frodo and Sam are trekking to Mordor to destroy the One Ring of Power while Gimli, Legolas and Aragorn search for the orc-captured Merry and Pippin. All along, nefarious wizard Saruman awaits the Fellowship members at the Orthanc Tower in Isengard.

During a chicken picnic, Yellow Guy gets upset after Green Bird kills a butterfly. Yellow Guy then meets a butterfly that takes him on a journey to discover his concept of love.

Walter Pinner is the titular Punch And Judy Man plying his trade in the seaside town of Piltdown. Unhappily married to his social climbing wife, who gets him to perform at the 60th Anniversary celebrations of the town in front of all the local dignitaries, his hatred of snobbery comes to a hilarious head.

If hugs are tangible why am I hugging the void

ჩაპლინისეული კლასიკა მისი პატარა კაცუნას თავგადასავლებზე ალიასკაზე, ოქროს საბადოებზე. 1942 წელს ჩაპლინმა თავიდან დაამონტაჟა ფილმი და დაამატა კადრსმიღმა საავტორო ტექსტი, საკუთარი მუსიკალური გაფორმებით.

An assumed-dead gangster wants to implicate a completely innocent man to pay for his crimes so he can give the slip to his avengers and persecutors.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

Multishow ao Vivo: Vanessa da Mata is a live album and DVD from Brazilian singer Vanessa da Mata, produced by the channel Multishow. Multishow ao Vivo was recorded live at the historic town of Paraty, and brings in the repertoire songs that marked the career of da Mata.

A group of attractive women get together for a weekend of bonding, hoping to relax and getaway from the anxiety of their boyfriends. The women travel out of town which leads them to picking up men of questionable integrity. The next problem is what will they tell their boyfriends when they get back home.

Antonio and Beba are a pair of panda bears besieged by the classic obstacles of a young couple. Their life together is defined by routine, until one day they are forced to live with their favorite singer.

The Australia II yacht crew looks back on the motivation, dedication and innovation that led to their historic victory at the 1983 America's Cup.

In the second film of the Lone Wolf and Cub series, Ogami Itto battles a group of female ninja in the employ of the Yagyu clan and must assassinate a traitor who plans to sell his clan's secrets to the Shogunate.

At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners -- who are freed by the blast -- Miranda becomes a revolutionary hero against his will.

TV Special converting a Disney fan's house into their dream home.

Re-re-repeat A rhythmic dialogue between sound and image: exploring space, corporeal phenomenology and chance outcomes, which alter perceptions of time and memory.

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.

A woman sets out a well-intentioned plan of bringing her dysfunctional family together in the wake of the family's matriarch, her mother-in-law.