Raquel's life is turned upside down when a terrible accident results in the death of her child and the confinement of her husband to a wheelchair. Without any way to support her and her disabled husband, Raquel turns to a life of crime and partners with a petty thief named Paco who falls in love with her.

Five short stories.

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

PROJECT WILD THING is an ambitious, feature-length documentary that takes a funny and revealing look at a complex issue, the increasingly disparate connection between children and nature.

Summertime at the beach. Swimming, yelling, playing, tanning. 25-year-old Marie who came alone to lie in the sun and swim in the sea, loses the bottom half of her bathing suit.

A runaway cat-loving girl begins a love triangle with a reckless older man and a young biker in high school. The film follows their subsequent chaotic relationships.

After a stranger murders her brother, Dag sets out on the road to avenge his murder, toting a shotgun and leaving any restraint behind.

An Australian "swagman" finds his wife with another man, so he takes the daughter, Buster, with him. On the road together, going from town to town and from farm to farm, father and daughter explore new depths of understanding and bonding.

Conventions of civility among family members are severely strained by the very real breakup of the bonds between them. During a few days at a vacation home, Katha, a woman in late middle age, tries to cope with an influx of discontented, disconnected relatives. Her divorced daughter brings all sorts of people to the house, including a woman-friend accompanied by her psychotic son; the grandfather of the house is convinced he is dying and is satisfied by nothing; and some friends drop off their angry teenage son to stay with her, while they go on a long trip abroad. Her friend Emma doesn't help much with keeping a lid on things, as she is a social worker who is fascinated by the awfulness of these situations.

When two tough guys leave a bar to fight, their search for the right spot becomes an adventure.

A documentary impression by Władysław Ślesicki showing the life of women - the joys and sorrows of motherhood, the hardships of everyday life. The individual sequences, made using the observation method, form a mosaic portrait of a mother.

Dames at Sea is a musical with book and lyrics by George Haimsohn and Robin Miller and music by Jim Wise. The musical is a parody of large, flashy 1930s Busby Berkeley-style movie musicals in which a chorus girl, newly arrived off the bus from the Midwest to New York City, steps into a role on Broadway and becomes a star. It originally played Off-Off-Broadway in 1966 at the Caffe Cino and then played Off-Broadway, starring newcomer Bernadette Peters, beginning in 1968 for a successful run. The television version was broadcast on the Bell System Family Theater on NBC on November 15, 1971. The cast had extra chorus girls and boys, and there were full production numbers, turning into the very thing it was spoofing. Ann Miller was singled out for praise, especially when "she was allowed to tap out her brassy...temperamental star..."

A small town's religious beliefs have pushed them back to the dark ages. Halloween has morphed into a modern-day witch hunt, victims sold like fireworks for the public to dispose of. Prepare for Exodus.

October, 1987. American filmmaker Steven Okazaki is making a documentary about laureated japanese author Kenzaburo Oe, but all goes wrong when he finds out that due to "mistranslated facts" the subject of his film has only one day to spare before leaving the country. During their brief interview, Mr. Kenzaburo affirms that the new generation of japanese artists are "spoiled, un-original and too influenced by Western culture." so, having a japanese film crew rented for four more days, Steven decides to roam the streets of Tokyo filming the lives of the japanese emergent underdog artists, trying to make some sense of Mr. Oe's statement.