Agnes Varda's documentary of the celebrations arising from the 25th anniversary of her husband Jacques Demy's film The Young Girls of Rochefort.

The director of a dairy cooperative in La Manche dies in a vat of milk. In line to succeed him are his four deputy managers, all with very different temperaments: the aristocratic Dufaux, the seductive Courtin, the pious Lainé and the wait-and-see Tousseur. Each of them pulls out all the stops to win a major order from Morloch. Once this is achieved, election to the post of director by the cooperators is all but assured.

"Paris, Paris, you know, I would eat it..." wrote André Sauvage. An artist close to the avant-gardes, André Sauvage composed the first great filmed portrait of Paris. Its ambitious symphony of a big city marries, on the music composed by Jeff Mills, the changing rhythm of the Belle Époque. Contemporary of the dizzying explorations of Dziga Vertov and Walter Ruttmann, Sauvage is less fascinated by speed than by the repertoire of urban mobility, attentive to the neighborhoods he crosses, always curious about their furtive inhabitants. He draws a portrait of Paris in five studies: Paris-Port, North-South, the islands of Paris, the Little Belt and from the Saint-Jacques tower to the Sainte-Geneviève mountain.

A young salary man and his wife struggle within the confines of their passionless relationship while he has an extramarital affair.

Based on a play by Willis Hall. A troop of British soldiers are out in the jungle to record jungle noises and troop noises in the jungle so that the recordings can be played back by other troops to divert the enemy to their whereabouts. As they progress to what they think is closer to the base camp they find themselves farther and farther from radio range until the only channel they can get clearly is that of a Japanese broadcast. They now realize they are probably only 10 to 15 miles from a Japanese camp! The tension is added to by rowdy and openly admitted "non-hero" Private Bamforth who has nothing good to say about anyone and especially Corporal Johnstone (who holds an equal dislike for Bamforth). When a Japanese soldier is taken as their prisoner, the true colours of each man comes to the surface

ჩვეულებრივ იაპონურ ოჯახში მშობლები წუხან თავიანთი საყვარელი ქალიშვილის ბედზე, რადგან ნორიკო ქორწინებისთვის კრიტიკულ ასაკშია და ჰორიზონტზე მოსარჩელეები არ არიან. ახლობლების შეხსენებები არ მუშაობს. ახალგაზრდა ქალბატონს აქვს საკუთარი შეხედულებები, ის არ ჩქარობს არჩევანის გაკეთებას. სიტუაციას ამძიმებს ბიძის ჩამოსვლა, რომელიც ესაუბრება თავის დისშვილს და იწყებს მისი დარწმუნებას, რომ სწრაფად გადადგას ეს ნაბიჯი. ის ამტკიცებს, რომ თუ გოგონა არ არის გათხოვილი, ის შეურაცხყოფს ოჯახს. ცოტა ხნის შემდეგ ნორიკო თავის უჩვეულო არჩევანს მშობლებს უცხადებს.

A samurai purchases a new sword only to find it is already dull. When he returns to the dull looking merchant to complain, something quite unexpected happens.

Shuhei Horikawa, a poor schoolteacher, struggles to raise his son Ryohei by himself, despite neither money nor prospects.

In Edo Period Japan, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.

In the Sengoku period, a woman and her daughter are raped and murdered by soldiers during a time of civil war. Afterwards, a series of samurai returning from the war through that area are found mysteriously dead with their throats torn out. The governor calls in a wild and fierce young hero to quell what is evidently an Onryō ghost. He encounters the two beautiful women in an eerie, beautiful scene. After spiritual purification, he meets the demon in a thrilling fight.

When a theater troupe's master visits his old flame, he unintentionally sets off a chain of unexpected events with devastating consequences. A remake of Ozu's own silent film The Story of Floating Weeds (1934).

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

A novelist attends the trial of a woman accused of killing her 15-month-old daughter by abandoning her to the rising tide on a beach in northern France. But as the trial continues, her own family history, doubts, and fears about motherhood are steadily dislodged as the life story of the accused is gradually revealed.

ფილმი დაფუძნებულია კინორეჟისორის პირად დრამატულ განცდებზე, რომელიც მშობლიური პროვინციიდან ფრიულიდან რომში ჩამოვიდა. მარადიულ ქალაქში ის გააოცა არა ანტიკური ცენტრის სილამაზემ, არამედ გარეუბნების ბინადრების სასტიკმა წეს-ჩვეულებებმა, სადაც ვითარდება ფილმის მოქმედება. ფილმის მთავარი გმირი გახდა მეძავი, რომელსაც "დედა რომას" ეძახდნენ. ქალის ცხოვრება ტრაგიკულად მთავრდება. ყველა მსხვერპლი, რომელიც მან შესწირა უაზრო აღმოჩნდა.

In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.

Antonio, a former shipyard worker, leads a mild and peaceful life: he plays bowls with friends, takes care of his elderly mother, has an ex-wife with whom he is on excellent terms and Emilia, his only and beloved daughter When Emilia announces to him one day that she has decided to get married, Antonio is filled with joy, he can finally fulfill his dream by giving her the reception they have always dreamed of together being able to count on the savings of a lifetime.However, the bank of which he has always been a client seems to be hiding something, the employees are suddenly elusive and the director inexplicably changes constantly.The task of paying for his daughter's wedding will prove increasingly difficult and Antonio will discover, against his will, that those who keep our treasures don't always keep our dreams as well.

Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.

A rogue reporter trailing a runaway heiress for a big story joins her on a bus heading from Florida to New York and they end up stuck with each other when the bus leaves them behind at one of the stops along the way.